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‘The Body Remembers When the World Broke Open’ Review: A Cinematic Poem on Untold Hardships
‘Uncut Gems’ Review: Adam Sandler Shows Us How He Wins in the Latest Manic Masterwork from the Safdie Brothers
‘Portrait of a Lady on Fire’ Review: Romance and Creativity Ignite
Film Frame Friday: Your Name. (Kimi No Na Wa.)
Cersei Lannister: A Character Study
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10 Articles Published
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‘Bliss’ Review: A Punk Rock Rendition of the Vampire Archetype
‘The Beach Bum Review’: Harmony Korine Revives the Spirit of America Cinema
Criterion Month: The Flame of Youth in Olivier Assayas’ ‘Cold Water’
‘Lucid’ Review
‘The Climb’ Review: One of the Underrated Gems of the 2019 Cannes Film Festival
‘Dolor y gloria’ Review: Pedro Almodóvar’s Latest is a Self-reflective Work
‘Shed of the Dead’ Review
‘Non-Fiction’ Review: Explorations in the Ambiguity of Auto-fiction and Modern Publication
‘The Halt’ Review: The Inescapable Doom of Humanity
‘The Lighthouse’ Review: Willem Dafoe and Robert Pattinson Transcend Their Roles in a Paranoia-Induced Fever Dream