As the narrative begins to develop, the atmosphere of the film fades to the point of non-existence, and the main plot of the film chokes the eerie tone of the film. Read More
Michael Angelo Covino's feature-length directorial debut The Climb, which won the Un Certain Regard coup de coeur jury prize, builds off of the success of his short film of the same name. Read More
Pedro Almodóvar latest film, Dolor y gloria (Pain and Glory), which premiered at the 2019 Cannes Film Festival and won Best Actor for Antonio Banderas, brilliantly returns Almodóvar to his previous form. Read More
From Sci-Fi-London 2019: Shed of the Dead struggles to separate itself from the obvious influence of other, better zombie films. Read More
Olivier Assayas' latest film, Non-Fiction (Double vies), seems like a logical continuation of his reflective work. Read More
Diaz’s latest film The Halt (Ang Hupa), which premiered in the Director’s Fortnight section of the 2019 Cannes Film Festival, is a low-budget, sci-fi film that examines the inevitable doom of humanity within the context of a fascist regime in the Philippines. Read More
Premiering at Cannes 2019, The Lighthouse, Robert Eggers' highly-anticipated sophomore feature is well crafted film on isolation. Read More