Reviews

Latest reviews from all era of film.

‘Stranger Things 3’ Review: Back and Stranger Than Ever

‘Yesterday’ Review: In A World Without The Beatles, A Dull Romance Wins Out

‘The Chambermaid’ Review: An Emotional, Rewarding Stay

‘Child’s Play’ Review: A Spiritless Narrative Saved by Imagination

‘Elisa & Marcela’ Review: Reclaiming Our Lesbian History

‘The Dead Don’t Die’ Review: A Sly and Brilliant Anti-Horror Film

‘Right Now, Wrong Then’ Review: A Beguiling Romance of Everyday Life

‘Eternal Sunshine of the Spotless Mind’: Revisiting the Sci-Fi Romance 15 Years Later

Sheffield Doc/Fest: ‘Hi, AI’ Review

‘The Last Black Man in San Francisco’ Review: A Masterful Display of Empathy and Love

‘Domino’ Review: De Palma’s Latest is an Unnecessary Thriller

Sheffield Doc/Fest: ‘For Sama’ Review

‘Dark Phoenix’ Review: A Difficult And Unsatisfactory Goodbye To A Beloved Franchise

‘Little Joe’ Review: A Puzzling Sci-Fi Horror

Sheffield Doc/Fest: ‘XY Chelsea’ Review

Sheffield Doc/Fest: ‘Diego Maradona’ Review

‘I Am Mother’ Review: A Technically Impressive Thriller With Femininity On its Mind

‘Ma’ Review: Exploits the Audience’s Expectations for an Entertaining Ride

‘The Secret Life of Pets 2’ Review: A Frustrating Narrative Structure Makes for a Frustrating Sequel

‘Woman at War’ Review: An Ecological Thriller With a Delightful Tonal Twist

‘Black Mirror’ Season 5 Review: A Welcome Change to the Sci-Fi Anthology Series

‘The Nightingale’ Review: A Grueling and Grossly Offensive Misfire

‘Lucid’ Review

‘The Climb’ Review: One of the Underrated Gems of the 2019 Cannes Film Festival

‘Dolor y gloria’ Review: Pedro Almodóvar’s Latest is a Self-reflective Work

‘Portrait of a Lady on Fire’ Review: Romance and Creativity Ignite

‘Apollo 11’ Review: Rivals its Science-Fictional Counterparts in Spectacle

‘Too Late to Die Young’ Review: Finding Freedom in a Post-Pinochet Chile

‘A Night at Switch n’ Play’ Review: A Well-Crafted and Well-Needed Dive into Drag Culture

‘The Tangle’ Review

‘Nina Wu’ Review: Harrowing Portrayal of Abuse in the Film Industry

‘Godzilla: King of the Monsters’ Review: A Dull, Lumbering Monster of a Movie

‘Shed of the Dead’ Review

‘Always Be My Maybe’ Review: The Sweet Story of Childhood Love Being Reunited

‘Non-Fiction’ Review: Explorations in the Ambiguity of Auto-fiction and Modern Publication

‘Too Long at the Fair’ Review: A Flirty and Varied 14 Minutes

‘Mouthpiece’ Review: A Physical Manifestation of Women’s Complexities

‘Summer of Changsha’ Review: Feng Zu’s Latest is an Imbalance of Tone and Genre

‘The Halt’ Review: The Inescapable Doom of Humanity

‘After We Leave’ Review: An Intimate Sci-Fi Feature

‘The Farewell’ Review: A Beautiful, Heart-Wrenching Gift of a Film

‘The Lighthouse’ Review: Willem Dafoe and Robert Pattinson Transcend Their Roles in a Paranoia-Induced Fever Dream

‘Parasite’ Review: Bong Joon Ho’s Latest Feature is Untouchable

‘Matthias & Maxime’ Review: Incredibly Rich and Emotionally Compelling Conversation on the Parameters of Sexuality

‘Young Ahmed’ Review: A Profoundly Inappropriate and Misaligned Feature

‘Brightburn’ Review: Rots the Superman Origin Story From Inside Out

‘Sorry We Missed You’ Review: Loach Strikes Again With a Damning Assessment of Corporate Capitalism

‘A Hidden Life’ Review: A Beautiful Rendition of the Small Elegant Moments of Life

‘The Perfection Review’: A Twisty, Trashy Delight

‘Shadow’ Review

‘Aladdin’ Review

‘Rocketman’ Review

‘The Hustle’ Review – “The Clearest Paycheck You’ll Ever See”

‘Last Sunrise’ Review

‘Halston’ Review

‘John Wick: Chapter 3 – Parabellum’ Review

‘See You Yesterday’ Review

‘Tolkien’ Review

‘Detective Pikachu’ Review

‘Knife + Heart’ Review

‘Everybody Knows’ Review

‘Now Apocalypse’ – Series Review

‘Avengers: Endgame’ Review

‘She-Ra and the Princesses of Power’: Season 2 Review

‘Under the Silver Lake’ Review

‘Hail Satan?’ Review

‘Someone Great’ Review

‘Wounds’ Review

‘Game of Thrones’ Season 8, Episode 1 Review: Winterfell

‘The Souvenir’ Review

‘Extremely Wicked, Shockingly Evil and Vile’ Review

‘The Perfect Date’ Review

‘Her Smell’ Review

‘Triple Frontier’ Review

‘Missing Link’ Review

‘Native Son’ Review

‘Unicorn Store’ Review

‘Cloak & Dagger’: Season One Review

‘The Chilling Adventures of Sabrina’: Season 2 Review

The Dark Prophecies of ‘The Congress’

‘Dumbo’ Review

‘Clemency’ Review

‘If Beale Street Could Talk’ Review

‘Shazam!’ Review

‘Us’ Review

‘Captain Marvel’ Review

‘Climax’ Review

‘Starfish’ Review

‘Little Woods’ Review

‘Greta’ Review

‘Gaea Girls’ Review

‘The Magicians’ Season 4, Episode 4 Review: “Marry … Kill”

‘At Eternity’s Gate’ Review

Sundance 2019: ‘Birds of Passage’ Review

‘Integrity’ Review

‘Isn’t It Romantic’ Review

‘Pegasus’ Review

Sundance 2019: ‘Fighting with My Family’ Review

Sundance 2019: ‘Jawline’ Review

Oscar Nominated Shorts Reviewed and Ranked