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‘The Body Remembers When the World Broke Open’ Review: A Cinematic Poem on Untold Hardships
‘Uncut Gems’ Review: Adam Sandler Shows Us How He Wins in the Latest Manic Masterwork from the Safdie Brothers
‘Portrait of a Lady on Fire’ Review: Romance and Creativity Ignite
Film Frame Friday: Your Name. (Kimi No Na Wa.)
Cersei Lannister: A Character Study
Reviews
Television
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review
‘1917’ Review: Sam Mendes and Roger Deakins Deliver a Staggering Technical Achievement
‘The Whistlers’ Review: Catrinel Marlon Stands Out in this Attempt to Reinvent Neo-Noir
‘BoJack Horseman’ Season 6 Part 1 Review: The Final Season Kicks Off with Consequences and Contemplation
‘Sibyl’ Review: Justine Triet’s Latest is a Beautiful Mess of Emotions
‘It: Chapter Two’ Review: Pennywise Returns for a Thrilling but Overstuffed Second Act
‘Hobbs & Shaw’ Review: An Embarrassing Spin-Off That’s Anything but ‘Fast and Furious’
‘Once Upon a Time in Hollywood’ Review: Tarantino Goes For Broke With A Messy, Ambitious Nostalgia Trip
‘Ma’ Review: Exploits the Audience’s Expectations for an Entertaining Ride
‘Woman at War’ Review: An Ecological Thriller With a Delightful Tonal Twist
‘The Tangle’ Review
‘Detective Pikachu’ Review
Revisiting M. Night Shyamalan’s ‘Unbreakable’ and ‘Split’
‘My Brilliant Friend’: Season One Review
Room 237
‘Beau Travail’ Review
Woodshock
Red River
Jeremiah Johnson
Support the Girls
We the Animals
Night Is Short, Walk On Girl
Christopher Robin
How It Ends
Black Girl
TAU
Carol
The Disaster Artist